by Hemmady S. Mora
The stage at the MSO Recital Hall in Ayala Malls Circuit, Makati, came alive on the evening of March 28, 2026, as the women of the Manila Symphony Orchestra delivered a performance marked by precision, passion, and purpose.
Titled Chamber Music of the Women of the Symphony, the 7:30 PM concert was more than a musical showcase—it was a celebration of discipline, collaboration, and the growing influence of women in the arts.
The all-female ensemble demonstrated not only technical excellence but also a shared commitment to uplifting and inspiring women from all walks of life through music.
The program highlighted compositions by distinguished and emerging female composers. Among them was Lucrecia Kasilag, revered as the “Grand Dame of Philippine Music,” whose legacy continues to shape the country’s cultural identity. Contemporary composer Faye Miravite brought fresh sonic landscapes with works that explored diverse moods and textures. Adding a remarkable youthful voice to the lineup was Maria Sophia Roldan, a Senior High School student from the University of Santo Tomas, who earned recognition after being accepted into the 2024 Summer Composition Program at The Juilliard School.
On stage, the MSO women string players—Sara Maria Gonzales, Danielle Clemen Caballero, Dione Lhorrell Reyes, Katerina Hernandez, Annela Salva, Christine Laron, Angelita Moris Delos Santos, Tatum Julia Bao—performed with remarkable cohesion and sensitivity. They were joined by Jovine Francisco-Halcon on French horn, adding depth and color to the ensemble’s sound.
Each piece resonated with intention, reflecting both the individuality of the composers and the unity of the performers. The concert stood as a testament to the power of music as a platform for representation, mentorship, and artistic excellence.
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